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Jun. 2nd, 2009

Summer Update


How the time slips by! A confluence of events these past two months has kept me from posting (not least of which was a new addition to the family!), so here is a brief update on the writing front:

Four chapters of Knight Terrors: The (Mis)Adventures of Smoke the Dragon have now posted online, with chapter five due tomorrow (Wed. June 3) http://knighterrors.blogspot.com.

My tenth flash piece for Every Day Fiction, "Tower of Baubles," posted today (Tues. June 2). www.everydayfiction.com I also had a flash there on May 22: "The Bride's Tail." All of my flashes for EDF can be accessed by searching my name on their website.

Marking my first time as a featured cover author, my haunted-house story "The House on Waterloo Lane" made its debut in the May issue of Arkham Tales. It is available for free as a .pdf file at www.arkhamtales.com

Also had a flash at Flashes in the Dark: Horror Flash Fiction in Daily Doses on April 3: "Bloody Pan." www.flashesinthedark.com And a poem in the latest issue of Aoife's Kiss. I think that's all the new publications to date (perhaps I should update the bibliography soon).

Mar. 5th, 2009

Film Adaptations


It is a well worn truism: The book is better than the movie. Almost always.

 

As a graduate student, I enrolled in a seminar that examined selected prose works and their film adaptations, and learned that “better” isn’t exactly the right word. The book is always different than the movie. A truly “faithful” adaptation is, to some extent, impossible because books and film are two very different mediums. There are some things books can do extremely well and some things that the visual medium of film can do extremely well; each medium has its own strengths and weaknesses.

 

That having been said, books usually are better than the movies. I am glad that a whole generation went gaga over the Harry Potter books at a young age, because they have experienced this early on and are thus less likely to grow into the sort of person who would say, “I don’t need to read the book; there’s a movie.” Maybe eight out of ten (this is not based on hard data, just anecdotal evidence) Harry Potter fans will admit that while they love the movies, the movies are not as good as the books. They would not trade their reading experience of those books for any film.

 

I will share a personal experience to illustrate just one way that books, by collaborating with the imagination of the reader, can achieve an effect that movies almost never can approach.

 

When I was eight years old, my favorite books were the Narnia chronicles by C.S. Lewis. I stayed up late at night, curled up with a reading flashlight on the top bunk of my bed (I did not share my room with a sibling, but I liked sleeping up high in the bunk bed—it was like having my own tree house). To this day, nearly thirty years later, I vividly recall the night I read a scene in The Horse and His Boy. The protagonist (whose name does slip my mind after three decades), a young boy on the run, is outside the city at night. Because the city gates are closed at sunset, he cannot get back into the city, and ends up spending the night out among the tombs. He sits there on the sand, cold and alone and in the dark, surrounded by hundreds of these stone tombs—like rounded stucco huts, each with a single opening in the front. He is overcome with fear—each of those open doors is like a darker hole in the darkness, from any one of which something might silently emerge, especially when his back is to it. Each way he turns, there are always other inky-black openings at his back.

 

Reading this, I felt chills, my skin crawled, and all the other pleasantly unpleasant physiological sensations brought on by a good ghost story. I had a hard time falling asleep that night.

 

The protagonist’s salvation was a small, black cat that slinked out of the desert and curled up to his back. For the rest of the night, he was okay—even, I think, managed to fall asleep—because he had company now, another set of eyes, someone watching his back. The reader inferred that the cat was the good lion Aslan in disguise. My solution was the same—I snuck out of bed, hunted down our pet cat, and locked her in the room with me. Our family pet was not Aslan, but for me she was, that night.

 

Disney and Walden Media are now in the process of making the film adaptations of the Narnia books. I can confidently predict that when they get around to The Horse and His Boy, and if they faithfully recreate that scene, it will pale in comparison to my reading experience.

 

Had I never read the book, I can imagine seeing that scene for the first time on the big screen. Even if it were well-done, I cannot imagine it being one of the most memorable scenes in the film. It would be interesting and compelling while it was happening—the audience wonders, along with the protagonist, if anything will come slinking or slithering from one of those tombs. When nothing does, and the only thing that shows up is a cat, we will be relieved (or disappointed) and forget about it as the narrative sweeps us along. It would certainly not be a scene we would isolate and remember days or weeks or years later.

Mar. 1st, 2009

SFREADER 2008 Contest Winners


First place, "On a Clear Day, You Can See All the Way to Conspiracy", Desmond Warzel
Second Place, "Mary, Mary Quite Contrary", Sarah Higbee
Third Place, "Cat Got Your Tongue, Evil Got Your Eye", Nicholas Ozment


The stories will be posted at www.sfreader.com later this week.
Tags:

Updates in Smoke


The second installment of my serial Knight Terrors: The (Mis)Adventures of Smoke the Dragon is now posted. You can see "A Whiff of Smoke" (as well as chapter one and the introduction) here: http://knighterrors.blogspot.com.

I'm hoping I'll get some lively comments on this one. If you enjoy Discworld, Robert Asprin's Myth series, John DeChancie's Castle Perilous books, The Princess Bride, or Diana Wynne Jones's Tough Guide to Fantasyland--maybe you should check out Knight Terrors.

Abandoned Towers, the online and print magazine of Cyberwizard Productions, is hosting it. This summer the entire series will be collected and published in book form. I hope to make it down to San Jose this year to launch it at World Fantasy Con.

The editor has commissioned an artist to do illustrations for each chapter; those should be going up soon! Can't wait to see a visual interpretation of my characters.

Feb. 12th, 2009

What is GOING ON?


I just caught some troubling news over on Jordan Lapp's blog Without Really Trying www.withoutreallytrying.com that The Magazine of Fantasy and Science Fiction has run into a major snag. Anderson News, the company that distributes the venerable magazine, is suspending all operations.

This just on the heels of the news that Realms of Fantasy, the only slick fantasy magazine currently on newsstands, is folding in April.

There may soon not be a single fantasy outlet on the newsstands. Here's what I don't understand: we live in the era of Harry Potter, Eragon, LOTR books and films, World of Warcraft--we're awash in fantasy--you'd think the demand would be more, not less!

Feb. 9th, 2009

Story places in top ten!



"Smoke Gets in Your Eyes" has placed in the top ten in the 2008 Preditors and Editors Readers Poll, in the category Fantasy/Science-Fiction Short Story. The image above is my virtual plaque. Thanks to all who voted! The story can be read here:  http://www.cyberwizardproductions.com/AbandonedTowers/fantasy/smoke.html

Feb. 1st, 2009

SMOKE IS ALIVE!

THE FIRST CHAPTER IS LIVE...

http://knighterrors.blogspot.com

To read it is free. And all your base are belong to us.

If you enjoy humorous fantasy, check it out. If you know someone who does, why not pass along the link? Smoke: Stumble him, Digg him, Tweet him; just don't call him late to dinner.

Jan. 15th, 2009

Updated Bibliography


Fiction

Poetry

  • About the Type (The Smoking Poet Summer 2008) *ONLINE* http://thesmokingpoet.tripod.com/
  • A Dying Poet, Mindful of His Legacy, to a Visiting Admirer (The Smoking Poet Summer 2008) *ONLINE* http://thesmokingpoet.tripod.com/
  • The Red Mummy (The Willows  Vol. II Iss. 2, Jul-Aug 2008)
  • Faeries' Hoax (Weird Tales Issue 347, Nov-Dec 2007)
  • Brainy Conversation (The Willows Issue 1, May 2007)
  • Knight in the Garden (Daikaijuzine 2.5, Apr 2007) *ONLINE* www.daikaijuzine.com
  • Nude (Erotic Tales 2 EroticTales Publications, May 2007 ISBN-13: 9780977778881) Also available in ebook: http://www.justusrouxebooks.com/erotictales21.html
  • Inter(son)net (True Romance Vol. 146 No. 4, Apr 2006)
  • If Life Gives You Bloodsucking Freaks... (Weird Tales Issue 338, Jan-Feb 2006)
  • Escape (Weird Tales Issue 336, Dec 2004)
  • The Prairie Whales Are All Extinct (Mythic Delirium Issue 11, Summer/Fall 2004) [Hon. Mention Year's Best Fantasy & Horror]
  • Roach Phobia (Weird Tales Issue 327, Spring 2002)
  • If I've Ever Stumbled... (Weird Tales Issue 322, Winter 2000/2001)
  • Little Monsters (EOTU EZine The Horror Issue Oct 2000) *ONLINE* http://www.clamcity.com/pg21monsters.html

Nonfiction

 

Book and Movie Reviews

Jan. 9th, 2009

Story nominated in P&E Readers Poll


My story "Smoke Gets in Your Eyes" has been nominated in the Preditors and Editors Readers Poll, in the category short story/fantasy or science fiction.

If you would like to cast a vote, go here: http://www.critters.org/predpoll/ (Polling is open until January 14th.)

If you have not yet read the story, it is at Abandoned Towers here: http://cyberwizardproductions.com/AbandonedTowers/ On the left-hand side of the page under Online Content, select "Fantasy." Then click on the book. Then click on the story--you're there!

If you vote in the P&E poll, could I persuade you to cast a vote for Every Day Poets in the Poetry Zine category? Last I checked, EDP is running fourth--quite impressive, considering we've only been online for two months! You can visit EDP at http://www.everydaypoets.com

Happy New Year!

Sep. 21st, 2008

Smoke is Flying High


Before I drop my big news, let me recommend you check out a neat new webzine, Abandoned Towers. Great fiction and poetry can be found there in numerous genres. Whether fantasy is your first love, or mystery is more to your liking, or westerns are your way of relaxing, AT probably has something you'll enjoy.

Now, while you're there, click on the Fantasy portal to read the new Smoke story, "Smoke Gets in Your Eyes." It's a laugh riot, promise.

Okay, that isn't the big news. What with the hissing and scratching, I think it's time to let this cat out of the bag. . .Smoke has landed a book contract!

I've signed a contract for a collection of stories about Smoke and his friends, and his enemies--the whole crazy cast. Cyberwizard Productions will be publishing said book late next summer or fall (there's a good chance we'll have the official release at World Fantasy Convention in San Jose, California). So, stay tuned.

For those who have no idea who--or what--Smoke is, a brief introduction: Smoke is a dragon. He's curmudgeonly, threatens to eat people a lot, but somewhere under his scaly exterior, he has a good heart. He is, much to his grudging annoyance, often recruited for his draconic talents by the wizard Ropespor. He's even had to overcome his phobia of knights enough to work with Sir Roger and Roger's squire, Blug--lest the nefarious man-fiend Radnoxious overthrow Mentolarcz, Liptonia, and all of Wohon.

Smoke first appeared in Blood, Blade, and Thruster issue 3 last October (sandwiched right between interviews with Joe Hill and George R.R. Martin!), in the story "Where There's Smoke, There's Heartburn."

Here is a teaser exerpt from "Smoke Gets in Your Eyes", which can be read now at Abandoned Towers:

Smoke padded to the entrance of his den and, blinking in the light of dawn, peered out. Not forty yards from the cave stood a large troll, his head nearly level with the second vertebra of Smoke’s neck. He was wearing a dirty loincloth and a glittering vestment of chain mail—the latter part being especially unusual for a troll.

The troll was admiring Smoke’s collection of suits of armor. These were propped up on poles and arranged in a long row beside the path, like tin-man scarecrows. The steel tableau had been donated—quite against their will—by knights who had, with misguided zeal, given Smoke a hard time.

The troll scratched a warty buttock, flashed a yellow-toothed grin and pointed with his club at a suit of armor. “Dat one was a customer of mine. Him too. Oh, dey claimed to be pious, didn’t dey? Hah! Dis one offered extra if I could arrange a tryst wit’ a virgin and a unicorn!”

“What do you want?” Smoke’s voice rumbled from the shadows of the cave.

The troll spun around. “I only want what’s mine. Dem’s my property you got in dere. I’m fairly askin’ you to send ‘em on out, ‘n I’ll trouble you no more.”

“What do you want with fairies?”

“Well, dat’d be my business. I stay out of yours, ‘n you stay out of mine. Dat seems fair.”

To emphasize his point, the troll slowly thumped the club he gripped in his right hand onto the palm of his left.

The club was, in fact, a small tree, its branches just showing the first buds of spring.

Smoke looked at the tree in the troll’s hand, then at the hole in the earth where the lone tree on his cliff had grown. His eyes grew wide and his neck reared up out of the cave.

“You—KILLED—my only greenery!!!”

Sep. 6th, 2008

"What's your creativity?" quiz


I took the quiz on Greatest Uncommon Denominator (GUD) Magazine's webpage. You can take the quiz (prepared by Steph Kraner) here: http://www.gudmagazine.com/quizzes/creativity/


Here was my result:

"What if?" creativity: You're creative, but not weird or creepy. Well, at least not usually. Odds are you have your moments of both, but on the whole you live a pretty normal life and see your forays into your imagination as either a hobby or a profession, but not a way of living.

Sep. 1st, 2008

ANNOUNCEMENT: EVERY DAY POETS

EVERY DAY POETS, the brand-new sister site to the hugely-successful EVERY DAY FICTION, is now open for submissions. Yours truly is one of the editors / slush readers. Here is the official Press Release:

About Every Day Poets

http://www.everydaypoets.com

Every Day Poets is a magazine that specializes in bringing you fine, short poetry.

Starting on 1st November 2008, Every day at 12:01am Pacific Time (8am GMT), we will be publishing a new poem of up to 60 lines/500 words or fewer that can be read during your lunch hour, on transit, or even over breakfast.

Feel free to browse around the site, check out our archives as they grow, or even sign up to receive a poem in your inbox... every day!

And if you are a poet, why not send us your best work?  We are open for submissions now.

Aug. 15th, 2008

EDF interviews Ozment

EVERY DAY FICTION has posted an interview with me today, after my story was the most read on their site last month. Apparently, "The Only Difference Between Men and Boys" had over 5,000 readers in one day!

Here's the link to read the interview (and see a sexy pic of me with a cigar):

http://www.everydayfiction.com/interview-with-nicholas-ozment/

Jul. 5th, 2008

What got you hooked?

So, from your earliest memories, which book got you hooked on sci-fi, fantasy, or horror?

 
For me, it was...
 
Fantasy: second grade, reading The Lion, the Witch, and the Wardrobe. I remember being at daycare, and being annoyed that the daycare mom was sending us all outside to play in the yard, when all I wanted to do was keep my nose buried between the pages and continue following the adventures of the Pevensie children.
 
Sci-fi (also kinda fantasy): third grade, The Warlord of Mars. I became an Edgar Rice Burroughs disciple. After I was supposed to be in bed asleep, I'd sneak down by the door, sprawl out on the carpet, and read my Grandad's old hardcover edition by the narrow band of light coming in from the hall. If I heard one of my parents come out of their room down the hall, I'd scramble back to the bed and jump in under the sheets. Then I'd creep stealthily back, needing to know what exploits John Carter would be up to next in his heroic quest to save his red martian princess, Dejah Thoris. I was so immersed in the world of Barsoom that, until maybe the fifth grade, I really thought that if I stretched out my arms to the red planet and concentrated hard enough, I could be whisked there too. But I never knew enough about astronomy to identify which light in the sky it was (my luck, I would've wound up on Venus).
 
Horror: This one's harder, because I read Scholastic collections of ghost stories and spooky tales voraciously. I can't think of a particular author, originally. I do remember the first book that actually awoke in me a kind of existential dread. It was actually a children's picture book about a boy coming home from school past a corn field, and the scarecrow starts following him home. I was reading it at our cub-scout den mother's house, the last boy waiting for his mom to pick him up as the evening wore on. I must have been very tired, and somewhat feverish, perhaps: but that night I, a naive fifth grader, first feared death. I think, sometimes, that scarecrow's still waiting for me out there, somewhere. Sooner or later, he follows us all home.

Jun. 14th, 2008

"Trefalgar the Giant and the Ape-Men of Haunted Wood"

 My first story of Trefalgar the Giant can be heard now at Clone Pod: www.clonepod.org . It is Episode 12. 

Looks like I'm in some good company: aside from the fine authors already featured, Neil Gaiman has a story forthcoming in the Clone Pod pipeline.

May. 14th, 2008

An Interview With Frederic S. Durbin

Frederic S. Durbin’s novel Dragonfly was first published by Arkham House. A selection of the Science Fiction Book Club, it was recently released in paperback by Ace Fantasy. A dark fantasy that is a paean to Halloween, it features the adventures of the eleven-year-old titular protagonist in the underground realm of Harvest Moon, which is populated by werewolves, vampires, and far worse. It is, by turns, the stuff of nightmares and a celebration of all that is wonderful about that time of year when leaves turn, jack-o-lanterns light the front-porch steps, a chill comes into the air, and people cavort as creatures of the night. 

A native of Taylorville, Illinois, Durbin has taught English conversation and writing at Niigata University in Japan for the past sixteen years. He is also a regular contributor to publications like The Magazine of Fantasy and Science Fiction, Cricket (for children), and Cicada (for young adults).

Read more... )

Jan. 4th, 2008

Happy New Year!

I haven't posted in a while, so here's the first for the New Year. I've been busy teaching three sections of College Reading and Writing (known in common vernacular as freshman composition). The new semester starts up in about a week (oh, winter break, how fleeting thou art). Seventy-five new students...Boy, that's a lot of names to learn.

My humorous fantasy piece "Where There's Smoke, There's Heartburn" finally sees the light of day in the latest issue of BLOOD, BLADE & THRUSTER. It can be viewed or downloaded for free here: http://www.bbtmagazine.com/bbt-3/. My story has the fine distinction of appearing between the Cosplay girl and an interview with Joe Hill. Also noteworthy: This is, alas, BBT's final issue. It also features an interview with George RR Martin and some fine stories and poems. The cover art, as always, is eye-popping. Well worth checking out, even if I weren't in it. (And it's FREE!)

The new issue of WEIRD TALES hitting the stands this month (Issue #347 of the longest-running pulp magazine) includes my poem "The Faeries' Hoax." It was inspired by some reading I did on Sir Arthur Conan Doyle and his father, who was committed to an insane asylum where he drew pictures of faeries on letters to his son. Doyle Sr. allegedly thought he was drawing them from life. Of course, years later Doyle Jr. was taken in by the Cottingley Fairy Hoax, and an idea for a poem was born...

Finally, check out www.everydayfiction.com. EVERY DAY FICTION runs a new flash fiction story (under 1,000 words) every day. They have published two of my stories in the past three months.

I wish you all a Happy New Year (and since we'll have a new president by the end of it, 'twill be a Happy Year indeed).

Oct. 28th, 2007

2007 World Fantasy Convention

I'll be attending the World Fantasy Convention in Saratoga Springs, NY next week (Nov. 1-5). On Saturday at 10:00 AM, I'll be on the panel "Tolkien as a Horror Writer."

Jul. 26th, 2007

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Jul. 15th, 2007

Nick at Night

Why the Critics Got 300 Wrong

            Ever since the movie 300 came out and did record-breaking box office, historians and professors have been pontificating on talk shows about its historical inaccuracies. The film’s blatant historical distortions were also a favorite saw of many film critics—especially critics of the snootier New Yorker variety.

            I’m here to tell you that many of these learned and well-intentioned arbiters of historical faithfulness missed the point. They managed, thanks to a certain scholarly myopia, to overlook the obvious.

            The obvious element they missed is simply this: the framework of the story itself. The movie begins and ends with a voice-over narrator, the lone survivor who is also the Spartans’ bard, minstrel, storyteller. He is recounting events to Greeks who were not present, and what we are seeing portrayed on screen is the legend forming in the minds of the storyteller’s audience.

            The movie’s stylized look should make it apparent we are not in “reality” here. From the stark, otherworldly scenery to the “monsters” to the near-superhuman Spartans themselves, this is myth brought to life. A myth inspired by historical events, granted. But what the scholars are doing, strangely enough, is to criticize the legend for not being an accurate portrayal of the events that inspired it.

            What may have thrown some critics is that they harbored expectations generated by other recent adaptations of history and legend. In recent retellings of the war of Troy, the Beowulf legend, King Arthur—to cite a few—Hollywood moviemakers took a deconstructionist approach, striving to realistically portray (at least “realistically” by Hollywood standards) the historical events that gave rise to those legends.

            Zack Snyder’s approach—and that of Frank Miller in his graphic novel on which the movie is based—is the polar opposite. These are the events as later storytellers would imagine them; it is not a deconstruction but a conjuration. Case in point: when the Persians released a rhinoceros on the battlefield, it likely would have been the first time any Spartan had seen such an animal. Thus the rhino that lumbers across the screen looks like some prehistoric beast or a monster out of Lord of the Rings. This isn’t just a rhino; it’s the archetypal Rhino. Ditto the archetypal Elephants, Warriors, God-Kings.

            As far as I know, no critic was silly enough to point out that “the historical Xerxes was not nine feet tall.” Such a statement would be the sort made by an imbecile. But the underlying reason for Xerxes literally towering over Leonidas is part and parcel with other “inaccuracies” that are roundly criticized. In the retelling of the story, a divine god-king might well have been imagined as a giant, physically reflecting his metaphoric stature.

            To underline my argument, it may be helpful to recall another film based on another Miller graphic novel: Sin City. That movie was also stylized, raising up cops and thugs, crime bosses and prostitutes, to the mythic proportions of superheroes and villains. The reception of most critics to this work was favorable, in some cases enthusiastically glowing. To my knowledge, nary a critic lambasted Sin City by saying, “The city portrayed here is inaccurate; there is not a city in the world like this. There are not child molesters who look like goblins with yellow skin. There is nowhere in America a prostitution ring run by women who are ninja warriors.” That would be the criticism of a babbling idiot. Yet critics and scholars have been lining up to lob such gripes against 300.

Granted, Sin City was not named New York City or Las Vegas, but it clearly referenced such modern-day American cities in a highly romanticized, black-and-white way. The approach in 300 is parallel, congruous, one-and-the-same with the Sin City treatment, only the referent is not a modern-day Gotham but an event that occurred three millennia ago.

            A brief caveat: While I think it misguided to criticize 300 on historical grounds, I realize that some people criticize it for a perceived political message. Some have pointed out that the rousing speech to rally the troops at the end sounds cobbled together from sound bytes of President Bush’s speeches promoting the war in Iraq. I will not deny that the president—with the necessary help of speechwriters, who have a far better grasp of the language—has manipulated words to couch questionable foreign policy in the feel-good rhetoric of fighting for freedom and democracy.

            Yes, but these could also have been words spoken by those in the minority in the 1930s who argued for the United States to join their allies in opposing the expansionist aims of Germany and Japan. These could have been words spoken by revolutionists in the American colonies. These are words that could have been spoken by any opposition movement against any dictatorship or oppressive government. Let’s not surrender these words to self-serving politicians. Or else we’ll be good as admitting that such rhetoric has been poisoned beyond rehabilitation by those who misuse and abuse it.

            A final note—if I may return to the historical issue for a moment: I understand that any Spartan speaking such freedom-and-democracy rhetoric would have had a far different, greatly curtailed understanding of democracy—the vote of propertied males. The general consensus of our founding fathers was a small step forward, hobbled with its own flaws and limitations. We have evolved our concept of freedom to include people of all races and classes and both genders—though in some cases that evolution has occurred only within the last eighty years. Perhaps we are reading too much into, imposing our own values on, the actions of primitive Spartans. But it cannot be argued but that those cruel warriors gave cultured Athenians the protection necessary to begin the process toward the legal freedoms we possess today. And this metaphoric, mythical story may be useful in reminding us that these freedoms are never secure—there will always be those, often within the very system meant to protect our rights, who will try to curtail those rights if we passively allow them to do so. One need only turn on the news for a few minutes to be reminded of that: CIA “family jewels,” FBI abuses of Patriot Act powers, NSA abuses of warrantless wiretapping, a president’s overstepping of executive authority in ways too numerous to recount here. It is often forgotten that the founding fathers, while concerned about Americans protecting their new country from foreign invaders, were equally concerned that they protect their freedoms from tyrants who always, inevitably will try to rise up from within.         

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